Tag Archives: Hindu

Postcolonial and Subaltern Rethinking of Critical Religion

17 Saturday Sep 2016

Posted by in Critical Religion, University of Groningen

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The early 20th century formulations of Indian identity involved using the constructions of specific understandings of religion, and gender. Critical Religion (CR) has provided a crucial methodology to understand the workings of these ideological operators in identity formation within such colonial contexts. In this line, CR has rightly shown that constructions of religion/secular, sacred/profane dichotomies enabled the legitimisation of hegemonic colonial discourses. It is crucial for us to look at the question of ‘how’ these appropriations were carried out by the colonised.

Historical archives show conflicting and complex narratives on the indigenous understandings and usage of religion both as an ideological category and as a term. For instance, the archives show that South Indian nationalists often used the terms religion, sacred, secular, science, and profane in their discourses on Hindu/Indian identity. Much as these terms were appropriated, they were not necessarily used as the colonial narratives intended. Thus, whilst secular was criticised as modern, modern here meant materialistic — that is pertaining to materiality such as corporeality (sex), objects (wealth), etc., and therefore, profane). Science was often seen as a ‘Western value’ that potentially contributed to materiality when it was not thoroughly grounded in spirituality as Hindu philosophy was. Sometimes, science was cast aside as ‘not Indian’ . This understanding shifted when science was used to define Hinduism as superior to Western society. Science when grounded in Hindu philosophy was understood as a body of knowledge. Other times nationalists quoted medical knowledge from the ancient texts (for example, Ayurveda and the Vedas) to show that science was embedded in Hindu philosophy.

Thus, Indian nationalistic discourses used the language (terms and categories) of the colonisers to beat them at their own game, as it were. For CR, semantics are important for our understandings of these discourses, but nationalists’ mere use of these terms should not be seen as their adoption of a colonial, Christian understanding of these categories. The nationalists indeed used these terms religion, secular, science, and materialism in some instances that pointed to a colonial understanding of these categories. However, there were other complex ways in which these terms were used. As we can see from the examples give above, these terms had multiple meanings depending on the contexts within which they were used. These also transformed depending on who the discourses were aimed at, whether the colonisers or the subaltern groups. For instance, the regional linguistic nationalism that was a subaltern counter-movement to the hegemonic Indian nationalist movements in South India often advocated the importance of rejection of religion, and embracing science as the objective method of understanding human nature. Strongly grounded in Enlightenment values, these movements, whilst rejecting ‘Hinduism’ as a brahmanical religion, did not reject other faiths because their primarily objective was to hoist a counter-argument to what they saw as brahmanical hegemony. Arguably, the agenda of these movements swayed the way these ideological terms and categories were used.

This emphasizes the fact that we cannot assume that appropriation of the colonial categories were homogenous. We must delve deeper into these movements to provide a contextualized understanding of identity formations. Deconstructing ideological categories and to do away with them might clear the discourses of modernity clouding our understandings of historical, colonial developments. But it does not fully provide a postcolonial subaltern understanding of historical indigenous discourses. To put it simply, the question should not only be whether the term religion was used, and where they learned the term, it is to also ask how the term was used. To not take that into account is to make the mistake of succumbing to the orientalist discourse of a pre-Christian indigenous era when religion and secular were one and the same, and a Christian/colonial indigenous era where these distinctions were introduced, which the nationalists appropriated. This, then, would be a good example of Aditya Nigam argues as a postcoloniality that is an echo of modernity. If we look at the regional anti-colonial discourses, it is obvious that the indigenous nationalists had more agency than that. Subaltern Studies stands as a testimony to it. Perhaps, I should make a point very clear: I am not suggesting that we should abandon Critical Religion (and given the space this blog post is published in, that would be rather ironic!). But, if we are to provide a historical postcolonial subaltern understanding of religion, then we must move beyond (as in, add to) the scope of Critical Religion to listen when the said subaltern speaks. We now have two issues at hand: a) how do we understand the heterogeneity of anti-colonial, and nationalistic discourses; b) how do we listen when the subaltern engages with these heterogenous anti-colonial, and nationalist discourses?

In an article soon to be published by Sikh Formations: Religion, Culture, Theory, I have attempted to answer the first question using Dipesh Chakrabarty’s now famous theorisation of histories. Chakrabarty theorises History 1 as the ‘universal history of capital’ that abstracts labor as a function that is removed from its contexts, and Histor(ies) 2(s) as ‘numerous other tendencies . . . intimately intertwined with History 1 . . . to arrest the thrust of capital’s universal history and help it find a local ground’. At the outset, History 1 and Histor(ies) 2(s) can be seen as polar opposites that History 1 is the secular capital and Histor(ies) 2(s) are the indigenous traditions, i.e., religion. However, as Chakrabarty has shown, Histor(ies) 2(s) are present in History 1 in order for the capital to function; rituals invoking the divine, such as worshipping tools for weaving, etc. Thus, within these indigenous contexts, religion/secular categories, with the emergence of capitalism, does not function dichotomously. Rather the ‘religious’ is embedded in the secular to prevent a total takeover of the secular. However, this theorisation provides tools to understand only certain nationalistic discourses. For example, it points to the phenomenological aspects of orthopraxy. There are such multitude of hegemonic nationalistic discourses that need to be acknowledged to understand how colonial categories were appropriated. Moreover, we must also look at how subaltern groups engaged with these hegemonic discourses – both of the nationalists and the colonisers. After all, it is rather evident that the methodological tools used to understand the hegemonic nationalist discourses cannot be used to understand the engagement between the hegemonic and subaltern groups.

Michael Marten’s theorising of ‘religious alterity’ helps us to provide a better understanding of these discourses.* Discussing the missionary narratives in the Middle East in the early 20th century, Marten argues that the Protestant missionaries’ understood the native practices and faiths as an Otherness, an ‘alterity’, that was somehow ‘religious’ in a way. In other words, Protestant missionaries encountered practices and faiths that they saw as definitely ‘religious’, but understood them as an alterity, by Othering these native practices. Christian missionaries in the colonies were by no means postcolonial or subaltern. Nor were their understandings of indigenous faiths and beliefs. But as Marten argues, it is important to understand moments of Othering ‘whilst . . . hearing and respecting the language used by the individuals being discussed’. How does this work pertaining to the discourses of South Indian nationalists, and the subaltern groups? In using the colonial categories, South Indian nationalists were involved in two forms of Othering – a) towards the colonisers through consistent differentiation between their ‘superior Hinduism’, and the colonial ‘Western values’; b) towards the subaltern groups that challenged their hegemony — here the distinction was drawn between their version of Hinduism and that of the ‘degenerative’ versions of the Others. Within these forms of alterity, the nationalists used ‘religious’ in multitudinous ways some of which have been describe above. I acknowledge the risk of arguing that the nationalist discourses involved Othering the colonisers. At a fundamental level, this would be akin to making a case for ‘occidentalism’. That is certainly not what I am trying to do here. Rather, I am pointing to the indigenous nationalistic discourses that used similar, if not the same, language of alterity used by the colonisers (and the missionaries) to assert their position and agency in the domain of colonial politics. In doing so, they certainly indulged in ‘religious alterity’ with the subaltern groups. Acknowledging this would enable us listen to the language of the nationalists, and accept that they had more agency than what we admitted that they did. Acknowledging this would also provide us with a new methodology to listen to the ways in which subaltern groups responded to such alterity.

* Marten, Michael. “Missionary Interaction as Implicit Religion”. Presented at Implicit Religion conference, Salisbury, 2016. The author kindly shared this with me; I understand it is being prepared for publication.

Contextualizing yoga: modern practices in a western world

03 Monday Feb 2014

Posted by in Critical Religion, Erasmus University of Rotterdam

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For many people across the world yoga is a way of ensuring a healthy life away from sedentary habits, a way of decreasing stress and increasing general wellbeing. However, the religious or spiritual element present in the practice of yoga may scare people who are concerned about religious purity or the integrity of their beliefs. Some might believe that yoga contradicts their religion, others might think of it as devil’s work. But is modern yoga a form of spiritual or religious practice?

Yoga as encountered in the West, is foremost based on Hatha Yoga and as such places emphasis foremost on bodily postures, breathing exercises and meditation. Indeed ‘yoga, as it appears today, is a recent interpretation of an ancient practice’ (Hoyez 2007: 114) which originates from the Indian subcontinent. Because of its origins yoga has often been thought as ‘hindu’, a term that is in itself very broad.

Mik365

Image © M.T. Vaczi

Yoga stems from the Vedas, the holy texts composed around 1900BC, which also form the basis of three major religions: Hinduism, Jainism and Buddhism. Patanjali’s ‘Yoga Sutras’, dating from approximately 2000 years ago is considered the first text that distinguishes Yoga from other systems of thought and religious practice. In his book Patanjali advocates a complete and complex way of life and not only a set of physical exercises. His ‘eight limbs’ of yoga, which still inform practice today, include abstentions (development of compassion), observances (awareness of ourselves and others), bodily postures (chanelling energy), breathing practices (controlling life force), abstraction (managing the senses), concentration (focusing) and meditation (total absorption) (Alter 2005). Each school of Yoga builds upon these elements, combining and interpreting them in a specific manner.

Often thought as an elaborate form of gymnastics, modern western yoga has lost most of its original philosophical underpinnings and has taken distance from most of its religious roots. Yoga has become a western practice whose popularity has been made possible by the process of individualization and its formation of ‘new-age’ spirituality, but also by the commodification of urban wellbeing. After becoming global, yoga has become increasingly decentralized and the Indian influence has been gradually lost. We live in a time of ‘indigenous yogas’ with a baffling diversity of styles and types, often adapted to specific local circumstances (Hoyez 2007) that highlight foremost wellbeing, health and internal peace. Furthermore, emphasis is placed foremost on its physical aspects while its spiritual or religious parts are contrived, if present at all. The specific combination of these factors makes modern yoga resemble more a therapeutic practice (Hoyez 2007) than a spiritual or religious one.

However, modern yoga is a therapeutic system of bodily exercises that also voices philosophical, cultural or political concerns. Furthermore, it is experienced as an active form of changing one’s life to the better. It emphasizes on self-realization (Alter 2004, De Michelis 2004). As such, modern yoga has constructed an alternative form of being religious or spiritual which creatively picks up and repackages a few elements of the Indian traditions while combining them with specific global and local concerns. For example, in yoga discourse, the consumption of raw- and super-foods is connected as much to the formation of a healthy body, to maintaining a good world energy, contributing to fair trade and to sustaining ecological system. These concerns are both extremely varied and tailored to specific audiences: yoga games targeting children require players to perform postures imitating animals while yoga for older adults yoga will make use of props for attaining some bodily postures (Patel el al. 2011). While children yoga will ‘play’ with the ‘inner child’, older adult yoga allows one to ‘find the right energetic balance’ and ‘age youthfully’. Furthermore, yoga can be practiced as a form of union with the ‘universe’, ‘God’, ‘nature’ or ‘oneself’, depending on the inclinations and beliefs of its practitioners. Some yoga classes use a borrowed religious imaginary: the yoga mat becomes a prayer mat while some postures recall prayer. Some classes include the chanting of Hindu sutras, others refer to a ‘life force’ or ‘energy’. A session may include a greeting of ‘namaste’ or a gesture of prayer. There might be a moment of meditation or time for chanting the ‘Om’ considered as the primordial sound by both Hindus and Buddhists. While these might be considered spiritual activities, they do not come to the fore in every yoga practice. Some classes and schools of yoga may make no overt reference to spirituality at all.

Nevertheless, modern yoga makes both physical and inner, ‘spiritual’ transformation possible, as yoga practitioners explained to me. Modern yoga, they highlighted, works through the effort of the body and ends in a general feeling of ‘feeling good about myself’. Yoga practices create an awareness of the self and a possibility of directly ‘improving’ one’s life. One realizes that ‘there is something bigger out there’. One ‘learns’ what are one’s possibilities, and through repeated exercise, learns also to ‘deal with that terrible pain’ and ‘overcome one’s limits’. Yoga offers its practitioners a permission to be happy ‘as I did the best I could for myself’ but also creates the feeling of ‘being in control’ and being in touch with ‘something bigger’. However, some of the practitioners I have been talking to have not described their experience as necessarily religious or spiritual, rather as an encounter with the ‘real self’ that requires no belief, but ‘just happens’.

This baffling inner diversity of practices points out that yoga is far from being a unitary phenomenon. Although most forms of yoga have their roots in the Indian subcontinent, each different school and group works with a specific interpretation of what yoga is, tailored to the more immediate concerns of western practitioners. The religious or spiritual content of yoga classes does not only depend on each yoga school’s approach, but also on the personal aspirations and capabilities of yoga practitioners. As such, western yoga practices have a different view of spirituality and make different use of religious elements then ‘Indian’ yoga, where the ultimate goal is moksha or liberation. Furthermore, western yoga can mainly be considered as a form of physical exercise that increases general wellbeing. In order to ensure and expand the state of wellbeing and relaxation, spiritual and religious practices may be used or hinted at. However, in the context of western modernity, yoga’s goal of ultimate liberation transforms foremost into the celebration and glorification of the self.

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Alter, J. S. 2005. Modern medical yoga: struggling with a history of magic, alchemy and sex. Leiden: Brill.

De Michelis, E. 2005. A history of modern yoga. London: Continuum.

Hoyez, A.-C. 2007. The ‘world of yoga’: The production and reproduction of therapeutic landscapes. Social Science & Medicine. 65 (1): 112-124.

Patel, N. K., S. Akkihebbalu, S. E. Espinoza, and L. K. Chiodo. 2011. Perceptions of a Community-Based Yoga Intervention for Older Adults. Activities, Adaptation & Aging. 35 (2): 151-163.

Strauss, S. 2005. Positioning yoga balancing acts across cultures. Oxford: Berg.

Performing Gender and Sexuality in Early 20th Century India

25 Monday Feb 2013

Posted by in Critical Religion, University of Stirling

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Contemporary understandings of Karnatic Music and Bharatnatyam (also known as Indian classical music and dance, respectively) as ‘religious’ arts that represent Hinduism and Indian culture originated within a very specific historical context: the Indian nationalist movement in the 1920s colonial city of Madras; Partha Chatterjee, discussing a similar movement in Bengal, describes this as ‘Classicization’ (Nation and Its Fragments, 1997, p73). The nationalist movement in Madras was a ‘culture-defining’ project in which music and dance were carefully re-constructed by pruning specific practices and traditions to represent the ‘pure’ inner sphere of spirituality that would displace the outer sphere of colonial politics. Such re-defining of performance arts mystified music and dance performances as ‘religious’ (read: Hindu) experiences and gendered the performances by defining femininity within the politics of nationalism. According to this emerging nationalistic patriarchy, whilst the outer/’material’ world belonged to men, the inner/’spiritual’ world ‘assigned’ to women had to be protected and nurtured. The nationalist politics created a new hyper-feminine middle-class woman defined by monogamous conjugal relationships as the Hindu way of life. This woman was defined by her sexual propriety who, through her spirituality, had to maintain the cohesion of family life whilst the man succumbed to the pressures of the material world.

Discourses on women’s sexual propriety as a pivotal point of re-defining performance arts specifically targeted communities traditionally performing music and dance, the devadāsis. Devadāsi (literally: ‘Servant of God’) referred to diverse categories of women (and occasionally men) who learned and performed dance and music within diverse settings such as temples or royal courts, festivals and private ceremonies for their patrons. They lived in a matrilineal set-up within a patriarchal society in which they had the right to education and property and enjoyed a high societal status as nityasumangali (eternally auspicious). However, in the early 20th century discourses on ‘purifying’ performance arts focused on two aspects of their tradition: a) they were not bound by monogamous conjugal arrangements; these courtesans went through dedication rituals after which they entered concubinage of the king or became mistresses of their patrons; b) traditionally they performed (among others) compositions that were erotic poems portraying explicit sexual acts (usually between the hero and heroine of the poem/story). A focus on the devadāsi community, which had a historically significant presence in South India, as a symbol of immorality emerged due to a set of historical developments beginning in the mid-19th century. As court patronages diminished devadāsis moved to Madras and set up salon performances for the newly urbanized audiences, both native and European. The mid-19th century saw transformations in colonial representations of devadāsis from performers of arts (from a tradition outside of monogamous conjugal relationships) to ‘prostitutes’ who could perform dance and music. This description, ‘prostitutes’, was affirmed by a series of Anglo-Indian laws passed during the late 19th century modeled after Britain’s Contagious Diseases Act that targeted ‘prostitutes’ catering to British soldiers, and brought devadāsis under the laws. Judicial definitions, coupled with the influence of the Purity Campaign in 1880s Britain, triggered a politics of morality that resulted in a ‘devadāsi-reform’ movement, which saw devadāsis as moral deviants from whom sacred music and dance had to be rescued.

The early 20th century focus on nationalism and Hinduism, in addition to transforming perceptions of devadāsis, resulted in the movement that defined female sexuality in the public sphere by drawing distinctions between the divine and the erotic. Thus, not only was the divine redefined to indicate a nostalgic pure religious and Hindu past, but the erotic was also redefined as sexual impropriety. Reformers petitioned the government to abolish the devadāsi tradition; the movement was spearheaded by Dr. Muthulakshmi Reddy, who was born into a devadāsi family but rejected the tradition. Her movement received support from (among others) the theosophist Annie Besant and Gandhi, who argued that music and dance were sacred but had been despoiled by devadāsis who had to be rehabilitated to become respectable middle-class women bound and defined by their monogamous conjugal relationships. Despite opposition from the devadāsi community, the Devadāsi Abolition Act was passed in 1947. Devadāsis were thus banned from performing dance and music within a salon set-up.

Whilst the vacuum in the performance space left by devadāsis was being filled by middle-class Brahmin women encouraged by nationalists and organizations such as the Madras Music Academy, these spaces were also being deified. Specifically, Rukmini Devi Arundale, a prominent theosophist and protégé of Anne Besant, employed stagecraft that reified Bharatnatyam as ‘religious dance’ by conducting a series of performances where she incorporated chants of Sanskrit verses and displayed an icon of Natarāja, an incarnation of the god Shiva in his form as a cosmic dancer, thereby representing the cosmic connection between art and the divine. She introduced sets of compositions in her performances that extolled Natarāja. While the devadāsi repertoire was removed from temple settings, Arundale adopted temple settings to her performance stage through portable temple background sets, thereby deifying the performance space. In contemporary Bharatnatyam performances, the presence of Natarāja idols and temple-setting backgrounds are ubiquitous.


(In this video, The image in the background is of Shiva, of whom Natarāja is an incarnation. The song is about Natarāja.)

The history of Karnatic Music and Bharatnatyam posits a focus on (among other issues) questions of embodiment and the female body. That the female body is impure had been established in the case of devadāsis within the politics of nationalism: music and dance representing the divine, their ‘sacred’ (read: ‘Hindu’) past therefore had to remain ‘pure’. The dimension of embodiment of music and dance permitted by patriarchy represents a dichotomy between the soul and the body in which the soul is the pure inner sphere that connects the performer to the divine, whilst the body represents the material outer sphere that needs to be removed from the context. Women as custodians of this inner spiritual sphere were to learn and perform these arts, thus embodying them, but had to remove the erotic from their performances, which were seen as belonging to the sacred inner space. This solidified the understanding that ‘true religion’ was sacred and must be distinguished from the non-sacred.

A polemic on the World Interfaith Harmony Week

28 Monday Mar 2011

Posted by in Critical Religion, University of Stirling

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On 26.10.2010, the United Nations General Assembly voted unanimously to create World Interfaith Harmony Week, a resolution first proposed by King Abdullah II of Jordan, who, together with his brother Prince Hassan, has long been a proponent of such things, partly also for domestic political reasons.  The first week of February has been designated as World Interfaith Harmony Week, to be marked around the world, with governments encouraged to support and promote the aims and objectives of this week.

But I think there is a fundamental problem here: I don’t think there is or can be any such thing as interfaith (or interreligious) dialogue.  I do not, of course, have any objection to the creation of a week dedicated to greater harmony in the world.  Nobody could really deny the merits of increasing harmony between people and peoples on personal and global levels: after all, the problems of sexism, racism, war etc. are all around us, and indeed, often seem to overwhelm us.  The problem here lies with the ‘interfaith’ element.  Of course, there can be dialogue between individuals who might describe themselves in particular faith terms.  But whilst acknowledging that there are differences between the terms ‘faith’ and ‘religion’, and that what 10 or 20 years ago used to be ‘interreligious dialogue’ is now ‘interfaith dialogue’ (and I caricature only slightly here!), I want to argue that the premises of such dialogue as ‘interfaith dialogue’ do not stand up to substantial critical scrutiny.

Tracing the usage of the term ‘religion’ over the centuries, we can see it changing in different contexts.  For example, in the Catholic/Protestant West, we can point very broadly (and, admittedly, rather simplistically) to changes in understanding over recent centuries:

  1. initially seen as being Christian (having religion) OR being apostate (not having religion), this changed with colonialism to
  2. an understanding of religion predicated upon a different form of normativity and closely connected to racism: people were either religious (Christian or some other – generally ‘inferior’ – recognised form of belief that western Christians considered to be in some way similar to their understanding of Christianity; the ‘creation of Hinduism’ being a perfect example of this, as scholars such as Geoffrey Oddie have discussed), OR they were superstitious or heathen (their practices were not understood by western missionaries and colonialists; so-called ‘African traditional religions’ are a perfect example of this), on to
  3. a more contemporary ideological understanding of many religions, of which Christianity is but one amongst equals, alongside the so-called ‘other great religions of the world’.

The main problem with this understanding is that it equates an essentialised understanding of what Christian faith is with an essentialised understanding of what Muslim tradition, Jewish practice, Hindu belief etc. is.  In doing so, all of these traditions are divorced from the individuals who see themselves as adherents, practitioners, devotees etc. – even the description of what people do and are in these different contexts is problematic!

If we think about the term ‘faith’ we can point to similar problems: for example, what does faith mean for a Christian, and what does it mean for a Jew?  Firstly there is again the problem of essentialisation – ask one Christian or one Jew about their understanding, and their Christian or Jewish neighbour may well offer quite a different one.  But even if we could put this aside (and I don’t think we really can), we might say that a Christian would point to the centrality of salvific belief through the death and resurrection of Jesus for her ‘faith’, whilst a Jew would point to the centrality of grateful obedience and freedom in God’s law for his ‘faith’.  In other words, we are comparing almost entirely different understandings of belief and practice – whilst pretending that all these things can be described equally as ‘faith’ (or indeed, religion).

We can see these problems even on the WIHW website, which has the byline ‘Love of God & Love of the Neighbour, or Love of the Good & Love of the Neighbour’.  An ‘or’ clause is certainly one way of attempting to cover all bases: it is, after all, something of a cliché to ask who the ‘God’ is that a Buddhist might be directing their attention to (a Buddhist from Britain, India, Tibet…? again, essentialisation), but whether ‘the Good’ is an appropriate alternative universal truth comparable to any given individual’s understanding of God, has to be open to question.  The sentiment behind the creation of ‘Harmony Beads’ for use in prayer by Muslims, Hindus, Buddhists and Catholics is another example of such muddled thinking.

So if neither faith nor religion can serve as useful comparative or relational concepts, it is perhaps intellectually more honest and practically more fruitful to abandon the pretence of ‘interfaith’ dialogue in favour of simple ‘interhuman’ dialogue.  It is, after all, in relationships that we discover ourselves and one another, rather than in monolithic ideological constructs founded on varying precepts.  If our theologies, principles, religious laws or injunctions hinder or prevent such relationships, then that is surely what we should be seeking to address and change.  After all, if dialogue between individuals can be centred around a demanding common task such as the creation of just economic systems and sustainable ecological environments, the overcoming of patriarchy or liberation from oppressive political regimes (the list could go on!), then these human connections will also lead to improved understanding of what moves and motivates engagement by each individual, whether they describe this as faith, religion, belief, practice, ritual… and that will be a more meaningful encounter than any World Interfaith Harmony Week can possibly lead to.