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~ Critical Approaches to the Study of Religion

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Tag Archives: concept of zero

Auden’s O: The Loss of One’s Sovereignty in the Making of Nothing

30 Wednesday Oct 2013

Posted by Andrew W. Hass in Critical Religion, University of Stirling

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book, concept of zero, nothing, zero

I am delighted to announce the publication of my new book, Auden’s O: The Loss of One’s Sovereignty in the Making of Nothing, published by SUNY Press, 2013.

Andrew W. Hass, Auden's O

Andrew W. Hass, Auden’s O

The publisher writes: “In this groundbreaking, interdisciplinary history of ideas, Andrew W. Hass explores the ascendency of the concept of nothing into late modernity. He argues that the rise of the reality of nothing in religion, philosophy, and literature has taken place only against the decline of the concept of One: a shift from a sovereign understanding of the One (unity, universality) toward the “figure of the O”—a cipher figure that, as nonentity, is nevertheless determinant of other realities. The figuring of this O culminates in a proliferation of literary expressions of nothingness, void, and absence from 1940 to 1960, but by century’s end, this movement has shifted from linear progression to mutation, whereby religion, theology, philosophy, literature, and other critical modes of thought, such as feminism, merge into a shared, circular activity. The writer W. H. Auden lends his name to this O, his long poetic work The Sea and the Mirror an exemplary manifestation of its implications. Hass examines this work, along with that of a host of writers, philosophers, and theologians, to trace the revolutionary hermeneutics and creative space of the O, and to provide the reasoning of why nothing is now such a powerful force in the imagination of the twenty-first century, and of how it might move us through and beyond our turbulent times.”

There will be more about the book in forthcoming blog postings, but in the meantime, you may be interested in my earlier postings on this topic: ‘The Squaring of Zero’ part 1, part 2.

The Squaring of Zero, Part II

09 Monday Jul 2012

Posted by Andrew W. Hass in Critical Religion, University of Stirling

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concept of zero, crisis, culture, negation

(This is Part II of a blog entry from last month. Comments are welcome below on both Parts.)

So where then does the symbol of zero enter our Western world? If we turn to the etymology of the word “zero” we will find a telling trajectory of its history. And the origins in fact turn out to be not from the West at all, but from the East. This perhaps should not surprise us, since we know that both Hinduism and Buddhism are much more embracing of the notion of nothingness or the void. The notion is built into the very roots of their thinking, since all reality first stems from and then returns to the void. We might even say that coming to terms with this void is the heart and soul of these systems of thought and practice, even in all their variations. Take for instance the Atman, the supreme principle of the universe in Hindu belief. This principle, as a total and all-encompassing infinity, is in effect identical with a pure nothing, since it is everywhere and nowhere at the same time. In coming to terms with this nothing one comes to term with both self and universe.

In India, the Sanskrit word for “empty” or “blank” is sunya. This sunya is transliterated, within the Indian system of numerology, as the idea of zero and indeed the symbol “0” as we know it today. If we think about the round circle, it suddenly takes on an appropriateness to the notion of nothing, even pictographically. For at the centre of its circumference is a blank, a void, an abyss. It as if we are peering into an empty chasm, brought into greater relief by the circumference, but of course a relief that is an inverse relief, with an infinite inversion.

This symbol and its idea then begins to move West. Sunya is transliterated in Arabic as çifr. The Islamic world picked up the zero form of O when they conquered India in the 8th century. From there they passed it on to the West. This development, one might argue, is one of the most essential and primary dividing lines between the Western and Arabic worlds, but one that is rarely if ever understood or acknowledged. For in accepting and adopting the concept of nothingness from their contact with India, the Arabic people, and the Islam they espoused, was in effect rejecting the Greek heritage. They were gainsaying the idea of logos and its conceptual tradition built up by the august Greeks, and gainsaying what came to be the ruling Aristotelian cosmological view, which had rejected any possibility of the void (even if, ironically, it was through medieval Arabic scholarship that Aristotle was re-introduced to the West). Islam could reconcile the idea of the nothing with the Abrahamic notion of void as it is presented in the first creation story of Genesis (the Elohimic tradition), without having to accept the Logos tradition that Christianity later appropriated from the Greeks, as in John’s reworking of Elohim’s void in John 1.1: “In the beginning was the Logos”. In permitting the void conceptually, there was thus little resistance to its use as a written symbol, and hence the zero entered into the Arabic system of numerical notation. This is the system the West inherited to replace the Roman numeral system, and still uses today. But the inheritance was not without its misgivings: originally zero, as “0”, was called the “infidel symbol”, since it admitted a concept that defied Christian orthodoxy. It was only after accounting systems required more sophisticated notation – and the rise of capitalism is extremely significant in this regard – that Western Christian resistance to the “0” eventually breaks down.

Finally, in its etymological development, çifr gives way to the Latin cifra or ciphra, from which we get our word “cipher”. From cipher we get zefiro or zephiro, which in turn, through cognate Latinate languages (French, Italian), becomes “zero”. (Connected to cifra is also the French word chiffre, which means “digit”.) Nothing then becomes official, at least in terms of accounting. And it becomes acceptable, at least in terms of a workable, if still dangerous, concept.

So from both the symbol and the word, we can see that zero is not something indigenous to the Hellenised West. Moreover, the passage back to its Eastern roots is one often fraught with tension and unease, or even, as we continue to see in today’s geo-political and geo-theological world, with division and conflict.

 

(To follow up in greater detail on the idea and history of zero, there are four key texts, all of which have helped to inform the discussion here: Brian Rotman, Signifying Nothing: The Semiotics of Zero (Macmillan Press, 1987); Robert Kaplan, The Nothing That Is: A Natural History of O (London: Oxford University Press, 1999); Charles Seife, Zero: The Biography of a Dangerous Idea (London: Souvenir Press, 2000); and John D. Barrow, The Book of Nothing (London: Vintage, 2001).)

Note that due to holidays, it may take time for comments to be approved and responded to, but it WILL happen!

 

The Squaring of Zero, Part I

13 Wednesday Jun 2012

Posted by Andrew W. Hass in Critical Religion, University of Stirling

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concept of zero, crisis, culture, negation

(This is Part I of a two-part posting. Part II will appear early next month, when the opportunity for comments will be made available.)

We have been thinking in past blogs about the nature of negation, and how it has ascended into the imagination of our culture and society not necessarily as something to be scorned or regretted, but as something with which to be, in some cultural, philosophical, or even religious form, reconciled. Of course its primary symbol, in terms of production, is the figure of zero. But before we can understand how this figure might work its way into and through our present world, we need first to ask, whence zero? For its history is by no means one we might expect.

If we go back to the beginnings of scripted language and numerology, zero was not necessarily there at the outset. The ancient Egyptians developed a system of accounting based on a pictography – notation in pictures. Of course with pictographic language, a positive referent is needed to which one can point in the world. But when it comes to an understanding of nothing, pictography is ill-suited. For how does one picture nothing? The whole point of nothing is that it cannot be seen. To envision it, it must be turned into something abstract, like a concept, beyond pictures. Now we know the ancient Egyptian civilization was famed for mathematics – their pyramids proved their excellence at geometry, the configuration of shapes through mathematical precision. And yet in all this excellence, they never required zero in their computations, and therefore never developed any corresponding symbol. This says as much about their cosmological and theological understanding as it does about their mathematical acumen. For from the Book of the Dead we learn that death was not about returning to an abyssal place of nothing. Significantly, the ferryman who transported the dead soul across the river to the netherworld denied passage to anyone “who does not know the number of his fingers”. This showed the importance of accounting: as accounting was important for the Pharaohs who exacted some form of taxation upon their people, so too in death it is important to know how to account for oneself. (One must be counted, it appears, even in the afterlife.) And so there was a deliberate avoidance of nothing, because nothing troubles the system of accounting, whether financial, philosophical or religious. It is therefore not surprising that the Egyptians developed such a sophisticated technique of bodily preservation upon death. Mummification, we might say, is a gesture against the void, or it is a gesture of containment and preservation against that which negates us. The pyramids, we remember, functioned as tombs. So it is that the shape of O, as zero, figures neither in the pyramidical shape nor in the afterlife. Zero would be a perilous ticket for the ferryman.

The ancient Greeks too did not have a symbol for zero. This might seem even more incredible, since they had a distinct predilection for conceptualising. But as early as the Presocratics, those philosophers who preceded Socrates and Plato, there was a general repulsion to the concept of nothing. Parmenides, for example, talked much about the concept of a changeless One, but was adamant about the impossibility for “what is not” to exist, or even to be thought of. He therefore instructs us not to think on it. And for the most part the Greeks heeded his instruction, and shunned thinking about the nothing altogether. If we consider Greek thinking from the Presocratics onwards, we know that so much emphasis is placed on ratio, on ordering things in relation to one another. This is inherent in their term “logos”, which is accompanied by the notions of rationality and proportionality. (Ratio is part of the rational.) Reality then, underwritten as it is by logos, must remain accountable, or countable. The Pythagoreans were extreme in championing countability, to the point where reality in fact becomes number. But zero does not figure in this reality. In Greek logic (the logic of logos) zero cannot be a number as such. For the “0” introduces a void, and voids, by definition, cannot be counted. It is void of all quantification. If the cosmos is structured upon the logos, even a quasi-divinised Logos, which allows us to think rationally about it, to speak of it and (ac)count for it, it must remain positive. The idea of the nothing or of the negative cannot be part of the equation or the calculation. Thus like the Egyptians, the Greeks also did not develop any symbol for the naught in their numerology.

Nor did the Romans. Having been Hellenised by the Greeks, the Roman numeral system developed conspicuously without any figure for zero. And this from an empire who took accounting, and indeed taxation, to new and perfected heights across an extraordinary range of geography and peoples. This absence is felt throughout Roman culture, even in something as functional as their clocks: the Roman sundials were without a zero point, which means time was always positive – a god, in fact, like the Greek’s Chronos. This despite the fact that the sundial’s circular path outlined an “O”, the figure used elsewhere for the sign of nothing – a sign of the times to come, we might say, when the Roman numeral system proved inadequate, and the West had to turn and face its own nothing.

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